Vortex currently has an average rating of 7 out of 10 and has been rated by 16 users on our platform.
...deliberate, pitiless and perfectly acted in a loose, improvisational style.
Read full review at The Guardian...it’s a relentlessly powerful piece of film-making.
Read full review at The GuardianThis is a work of wintry maturity, and real compassion.
Read full review at The Guardian...retains a particular kind of cold horror that burrows deep and takes hold.
Read full review at EmpireTo make a whole film in split-screen is a remarkable experiment and opens up to new narrativeperspectives. But you need strong nerves, this film is not only existential but also quite depressing.
The filmmaker uses two icons of cinema and a clever central gimmick to deliver an affecting look at mortality.
Read full review at Indie Wire...the superb Vortex brings to mind an observation attributed to actress Bette Davis, no less: Getting old ain’t for sissies. C’est vrai, c’est vrai.
Read full review at The Austin ChronicleThe film takes an unflinching look at a couple, played by Francoise Lebrun and legendary Italian director Dario Argento, as they near the end of life.
Read full review at The A.V. Club...if you’ve ever had even the smallest existential fear of growing older and dying, or watching this happen to people you love, tread carefully around this one.
Read full review at NmeArgento is terrifyingly convincing in both his line readings and his physical acting; the role makes demands on his body that he fully meets.
Read full review at Roger Ebert...an intimate, formally inventive examination of the cruelties of old age, but there’s a detached quality to Noé’s approach which, ironically, may leave some viewers cold.
Read full review at Little White LiesFörst som sist, Gaspar Noé har med detta drama i ”split screen” skapat sitt bästa och mest personliga verk hittills! Han jobbar med två hjältar och veteraner för att berätta en sorglig historia om hur sjukdom trasar sönder långvarig kärlek och vän...
...en helt ny Noé som här skapat en bit ur den mardrömsartade verklighet som många par genomlever när den ena försvinner in i demens.
Read full review at Aftonbladet...har egentligen bara en enda harmonisk stund, sedan rör sig kameran med en lätt olycksbådande känsla. Avgrunden är alltid nära med Noé.
Read full review at Svenska Dagbladet...en uppenbarelse som visar att han långt ifrån tappat förmågan till experimentellt filmskapande.
Read full review at Svt Kulturnyheterna