The Hand of God currently has an average rating of 6.9 out of 10 and has been rated by 148 users on our platform.
Everything comes oversized in The Hand of God: the colors, the characters, the gestures.
Read full review at Entertainment WeeklyI’m impressed that it’s emerged so full of bawdy vigour; still raw in the retelling and spiced with delicious set pieces.
Read full review at The GuardianPaolo Sorrentino relives his teens in a film of two halves.
Read full review at The GuardianPaolo Sorrentino’s extravagantly personal movie gives us all a sentimental education in this director’s boyhood and coming of age...
Read full review at The GuardianWill have you absolutely salivating for Italy.
Read full review at EmpireThe film thrives on details–it is the very soul of the film.
Read full review at Leisure Byte...feels like a Sorrentino movie because it’s about finding character in unexpected places and making it seem both true to life and completely overwhelming.
Read full review at Roger Ebert...a beautiful coming-of-age story and a love letter to both director Paolo Sorrentino's native Naples and the art of filmmaking.
Read full review at Common Sense MediaBy the time this tremblingly personal movie comes to an end, Sorrentino has shown us how he made that life into his reality.
Read full review at Indie WirePaolo Sorrentino bares his soul in this autobiographical coming-of-age story about teenage obsessions.
Read full review at Little White LiesA wistful, winking cinematic scrapbook of growing up in 1980s Naples.
Read full review at The TelegraphIt’s a personal, aching, and romantic film that’s swimming in the complicated trials of youth.
Read full review at The Austin ChronicleSorrentino uses many magic realism motifs to depict this conflict of reality and fiction. And with those elements, the film beautifully portrays the growing up in life.
Read full review at Ready Steady Cut...en bemærkelsesværdig, modig bedrift af en kunstner, som lægger sin signaturstil fra sig og fortæller om sin ungdom på en måde, der er øm, bevægende og oprigtig.
Read full review at Filmmagasinet EkkoEtt nostalgiskt verk som pekar på tidigare nostalgiska verk, i ett enda härligt cineastisk kramkalas.
Read full review at Svt Kulturnyheterna