Highest 2 Lowest currently has an average rating of 5.2 out of 10 and has been rated by 97 users on our platform.
This is a Spike Lee joint in every sense, big and formally daring and pulsing with auteur energy...
Read full review at Ready Steady CutSpike Lee and Denzel Washington fall back in love with New York in Highest 2 Lowest.
Read full review at Paste MagazineFirst half was as bad as the latter half was good. So give it a good hour before judging it.
...whatever the flaws in Lee's remake design, "Highest 2 Lowest" rises above its issues thanks to the filmmaker's inherent skill and Washington's unbeatable charisma.
Read full review at SlashfilmThis is ultimately Washington’s show. He remains as magnetic as ever, switching in a second from affability to menace, demanding respect from his sons and colleagues alike...
Read full review at The Independent...it’s not just style; the substance is all here. Lee is interested in what a legacy looks like, and in what makes the work worth the effort.
Read full review at EmpireIt is really poorly edited with a weird filter that feels forced in the movie to makeit a little artise. The story is all over the place. And the music is distracting and lound with piano play, that builds no tense. Really disappointing movie over...
…brilliant filmmaking done as only Spike Lee can.
Read full review at Film ThreatSpike Lee has made a brash, bold, big-city movie with this pulsing New York adventure that doubles as a love letter to NYC’s sports and its music.
Read full review at The Guardian...Spike Lee’s deliriously entertaining — if jarringly upbeat — “Highest 2 Lowest” modernizes the post-war anxieties of Akira Kurosawa’s “High and Low” for the age of parasocial relationships.
Read full review at Indie Wire...a thriller worthy of Denzel Washington.
Read full review at The A.V. ClubIt’s a fun remake of great Japanese filmmaker Akira Kurosawa’s 1963 crime thriller High And Low.
Read full review at Nme...an exceptional piece of personal filmmaking that might be Lee’s most energetic film since “Inside Man.”
Read full review at Roger Ebert