Bird currently has an average rating of 7.5 out of 10 and has been rated by 8 users on our platform.
Andrea Arnold’s wild, joyous coming-of-age drama.
Read full review at The Guardian...a film about hope, as characters are confronted by the difference between the family they hoped for and the one that they have. And, thanks to a wonderfully uplifting final sequence, it will leave you with happy tears in your eyes.
Read full review at Empire...an, at times, surreal coming-of-age drama, but one that never feels inauthentic.
Read full review at Common Sense MediaComing-of-age film races between gritty realism and magical fabulism.
Read full review at Radio TimesWhat struck me more was the film’s interpretation of Bailey’s coming of age not as something to be mourned or that comes on too soon. Instead, it’s an activation.
Read full review at The Austin ChronicleArnold’s direction of young, non-professional actors is another strength, and Adams, in her debut screen performance, flickers convincingly between affected toughness and shy vulnerability.
Read full review at Slant Magazine...fluidly drops in and out of reality and something more magical.
Read full review at Roger EbertBarry Keoghan stars in a divisive, life-enhancing masterpiece.
Read full review at NmeBarry Keoghan further cements his rising-star status.
Read full review at Gamesradar...a beautifully subtle, unexpected and fascinating watch.
Read full review at Digital Spy...beautifully threads the line between the real and the surreal, walking the viewer through decrepit alleyways and rusty bridges to the sound of Coldplay and The Verve.
Read full review at The PlaylistAndrea Arnold dabbles in bizarre surrealism with flawed fairy tale Bird.
Read full review at The A.V. Club...a sensitive, fairytale-like coming-of-age tale.
Read full review at The Independent...en stabil återgång till Arnolds sanna expertis, något som resulterar i en skådespelarmässigt utmärkt film...
Read full review at Kulturbloggen...en filmisk hymn om vänskap och fantasi som helande kraft.
Read full review at Göteborgs-Posten