Asteroid City currently has an average rating of 6.7 out of 10 and has been rated by 575 users on our platform.
Most likely the best movie of 2023. Not much competition, this is an adult movie, it’s for me, mine, it’s not kids and randos. Love the dialogue and how old memories of this master of the cinema plays with us not letting an opportunity to insert...
Pure art, typical Anderson! But not his best work and for me the story wasnt the best.
With its dual-layered story, meta commentary and extreme goofiness, Asteroid City is a movie that I feel I’ll (happily) need to see again in order to fully appreciate everything that’s presented...
Read full review at Cinemablend...it’s a journey to the desert well worth taking.
Read full review at Paste MagazineWes Anderson’s 1950s sci-fi is an exhilarating triumph of pure style.
Read full review at The GuardianWes Anderson’s 1950s sci-fi is an exhilarating triumph of pure style.
Read full review at The GuardianA sky-watching romp that contemplates infinity, Asteroid City offers a wry exploration of life’s mysteries and proves that the Anderson touch can hold firm in the face of the great beyond.
Read full review at Gamesradar...delivers heady philosophical concepts and exquisite visual mastery...
Read full review at Entertainment WeeklyThis is Wes Anderson’s oddest film yet.
Read full review at The Telegraph...with all the visual flair one would expect from this veteran auteur director and such a large cast of renowned actors. It’s one of the best movies he’s made.
Read full review at IgnThe maestro returns, the patented formula tweaked to blissful perfection in this witty and deeply moving exploration of the tools that we produce to help us see beyond our everyday vision.
Read full review at Little White Lies...comparable to another great cinematic celebration/interrogation of performance as life, life as performance: Jean Renoir’s “The Golden Coach.” Yeah, it’s that good.
Read full review at Roger EbertTilting surprisingly dark – I suspect the film is at least in part about how we process trauma – but also somewhat impenetrable on first watch, it was another startlement when I realized I was crying. I can’t wait to go back.
Read full review at The Austin Chronicle