The Circle

It's potent stuff. Yet, thanks to the dexterity of Bahram Badakshani's hand-held camera and the naturalism of the non-professional cast, it's also arresting and deeply involving.

There's no denying it's a tragic film from start to finish, but equally undeniable is the endless stoicism displayed by the women, and Panahi's crisp, meandering direction.

...et udsøgt eksempel på perfektion i blanding af form og indhold.