Yes

I celebrate these transgressions. Yes is alive and daring, not a rehearsal of safe material and styles.

Flawed but very original, Yes is bolstered by its effective dialogue technique and strong performances.

Film newcomer Abkarian holds his own in Allen’s company, giving a heartfelt performance as a lost man re-emerging from self-imposed exile in more ways than one.

Nadav Lapid’s furiously orgiastic satire of modern Israel asks how people can live normally.

...a fierce satire of Israel’s ruling classes, radioactive with political pain.