Cop Car

What’s most striking...is its sparseness. There are no extraneous characters nor situations, and we’re not given much information outside of that which drives the story.

...Cop Car is a surprisingly nasty piece of work, more reminiscent of old John Dahl thrillers from the ’90s (Red Rock West, The Last Seduction) than of Let’s Be Cops.

...a sly, economical neo-noir that forsakes the shadows for the wide-open, sunlit plains of southwestern Colorado.

Det är subtilt och sparsamt men samtidigt spännande.