Am Ende des Weges

It's a genre piece for character actors is what it is, and that's an honorable thing for it to be.

Murray is a wild card. When his faux-sincere huckster vibe rubs up against Black’s idealism and Duvall's plainspokenness, Get Low gets better.

The cinematography is gorgeous, at times oppressively so, and the acting enjoyable...

Duvall and Spacek give two of their finer performances here (...) but 'Get Low' comes to life most of all when the deadpan Murray is onscreen.

Den skiftevis veltalende og uforståelige eneboer er en fuldt nuanceret figur, man fascineres af på grund af Duvalls sikre evne til at skabe et rigtigt menneske og ikke en karikatur.

...med lagom mycket drama, mystik och humor kan det här inte bli annat än en väldigt lyckad film.