Pauvres créatures a actuellement une note moyenne de 7.5 sur 10 et a été évalué par 2281 utilisateurs sur notre plateforme.
Bold, weird, and colorful Poor Things unleashes Emma Stone.
Lire l'évaluation complète dans Paste MagazineIt takes a lot of talent and an amazing cast of actors to bring to life a story so unconventional and profound but yet so entertaining and easily digestible.
It’s easy to spot nods to other masterworks in this movie: from Mary Shelley’s to Mel Brooks...
Emma Stone comes to life in a feminist masterpiece.
Lire l'évaluation complète dans The A.V. ClubEverything in it – every frame, every image, every joke, every performance – gets a gasp of excitement.
Lire l'évaluation complète dans The GuardianEmma Stone’s raunchy gothic comedy is unlike anything you’ve seen in years.
Lire l'évaluation complète dans The TelegraphA limitless, bizarre, freaky, creepy masterpiece. A perfect emotional roller coaster. I think I experienced every single emotion humanly possible watching it, yet I walked away highly confused, entertained, enlightened, and in awe. It not only questions so...
Emma Stone gives a career-defining performance in Yorgos Lanthimos’ opulent provocation about the human body as a nexus for pleasure and pain.
Lire l'évaluation complète dans Little White LiesProbably one of the greatest films ever made, and certainly the greatest fantasy film for grown ups ever made. Like a Miyazaki steam punk masterpiece, but with a horny feminist heroine who fucks all the time. Brilliant!
A funny, sad, bawdy, beautiful concoction.
Lire l'évaluation complète dans GamesradarEmma Stone and Mark Ruffalo lead a demented comedy of self-creation and degradation. The two actors give career-best performances in Yorgos Lanthimos' weird and wonderful new film.
Lire l'évaluation complète dans Entertainment WeeklyAs imaginative as the film’s comedy can be, though, its greatest asset is Stone’s ability to situate Bella first as jester, then as the emotional foundation upon which the whole of Poor Things is built.
Lire l'évaluation complète dans Slant Magazine